I know that usually I’m all about notation this and notation that, but I absolutely adore what Nureyev did with La Bayadere’s Kingdom of the Shades and it’s the best and I love it and that’s all from me on this topic.
(Don’t get me wrong, I love Ratmansky’s speed and right angles almost as much. Because the whole scene looks so different and yet so right. Still would love to see it with the attitudes instead of arabesques, though…)
My review of Matthew Bourne’s Romeo + Juliet aka the only review that is not over the moon about the production also known as the supposedly short one that ended up being 1500 word long, because of course it did!
střecha nad i
Posted in alina cojocaru, ballerina, ballet, curtain call, enb, English National Ballet, giselle, isaac hernández, sarah kundi
